Exhibit of the Year
2024
Saint George, by Uroš Predić, 1902
Born in the Banat/Bánát Region, Uroš Predić (1857-1953) was one of the most well-known Serbian painters of his time. He studied at the Arts Academy of Vienna. In the spirit of academic Realism, he painted a large number of portraits, genre pieces, historical compositions, as well as pictures on religious subjects. Uroš Predić was related to Olga Bárics of Pančevo (Pancsova), who married István Wuits, a Szentendre merchant, in 1901. As the patron saint of the Wuits family was Saint George, Predić painted the image of the saint as a wedding gift for the young couple. István Wuits had a shop at the main square of Szentendre and, being an affluent respectable Szentendre citizen, he also acted as President of the Council of the Serbian Orthodox Parish of Szentendre. In Uroš Predić’s painting, Saint George is featured in full figure in a heroic position, with the vanquished dragon at his feet.
The work of Uroš Predić was acquired by the Serbian Church Museum of Szentendre as a donation by István Wuits’s granddaughter in 2023.
2023
Christ Crucified with New Testament Festive Scenes
Painted by Mihály Zsivkovics, an icon painter from Buda – 1803
Mihály Zsivkovics (1776-1824) studied painting at the Arts Academy of Vienna. His works are reflective of the stylistic features of the Late Baroque and Classicism alike. He had a workshop in Buda and was active in portrait painting as well. He painted his main work, the iconostasis of the Church of the Annunciation (Blagoveštenska) in Szentendre, in 1802 and 1803. He made the panel painting of the Crucifixion of Christ during his stay in Szentendre at a private individual’s request. In the centre of the picture, in an ornately painted frame (in a ‘picture-within-a-picture’ arrangement), the image of the Crucified Christ is featured, with a kneeling figure of Mary Magdalene. On the two sides, independent compositions are displayed: the Nativity and Baptism of Christ, as well as the Resurrection and Ascension of Christ. Zsivkovics’s work was acquired by the Serbian Ecclesiastical Museum through gifting from the legacy of the Huzsvik-Stefanović Family.
2022
The Theotokos with Christ – Theotokos Trojeručica (Three-Handed), by icon painter Mitrofan, ca. 1764
Icon painter Mitrofan was an Athonian monk and, as an itinerant painter, he arrived in Hungary around 1764, probably at the invitation of the Hegumen of the Monastery of Ráckeve (Srpski Kovin). Judging by its small size, the icon must have been designed for the purpose of private devotion. It seems likely that the client specifically commissioned the painter to paint a replica of the wonder-working icon of the Hilandar Monastery on Mount Athos, the image of Theotokos Trojeručica. However, it appears that Mitrofan did not have the appropriate graphic template in Hungary to paint an iconographically accurate image of Theotokos Trojeručica. Therefore, he painted an ordinary representation of the Virgin Hodegetria (Our Lady of the Way), yet with the attributes and signature of the Theotokos Trojeručica of Hilandar. His work speaks to the dynamic Athonian connections of the Serbian Orthodox Eparchy of Buda, as well as to an advanced cult of the Theotokos Trojeručica image among Hungary’s Orthodox Serbs. The art of the painter Mitrofan was crucial in the development of the traditional late-Byzantine painting style in the Balkan region during the 18th century.
